Promenade parlante: Episodes in a Changing Neighbourhood was an intergenerational, […]

(Le français suit) Safety Strategies is a collaborative drawing project […]

Friday, February 13th, 5:30pm. Downtown is mildly frantic with preparations for valentine’s day. Stores and restaurants have trotted out multitudes of pink and red velvet, tulle, sparkles, bows, special deals. […]

Above: Le Champs des Possibles, a post-industrial landscape in the Mile End neighbourhood of Montreal. Photo by Cynthia Hammond, 2011. The Possible was a creative collaboration with a protected, post-industrial landscape in […]

[The following collectively-written text also appears on the website of the gallery Darling Foundry, Montreal] In November 2013 the City of Montreal announced a call for proposals to repurpose the […]

Cynthia Hammond, Kelly Thompson, and Kathleen Vaughan present parallax: landscape in translation at the fofa gallery, Concordia University, Montreal. The exhibition includes paintings of acrylic on canvas (Hammond), hand-woven digital jacquard […]

In May 2014, pouf! art + architecture (Cynthia Hammond and Tee Strickland) and Urban Occupations Urbaines (Shauna Janssen) collaborated with artist and art historian Adeline Paradis-Hautcoeur, choreographer Leslie Baker, and […]

[The following text is adapted from Cynthia Hammond and Thomas D. Strickland, “Biting Back: Art and Activism at the Dog Park,” originally published in On/Site Review 30, Ethics and Publics […]

In the late 1990s and early 2000s I began to work more seriously with performance as a mode of engaging with publics, and spaces. Through my studies with feminist professors […]

As part of my ongoing research about the winged human figure, and specifically winged female figures, I created Winged for a Day in Halifax, Nova Scotia in the summer of […]

Do Not Be Afraid was both a series of works I undertook in 1997-98, and the title of an exhibition I had at the Bowmanville Art Gallery/Visual Arts Centre of […]

In August 1998 I was invited to contribute as an artist to the annual Take Back the Night march in Montreal. Much of my research in the studio and elsewhere […]

As part of my ongoing research about the winged human figure, I undertook a number of projects in which I made small wings and offered them to others to wear. […]

In 1998 I co-organized a group exhibition of student work […]

In 1992 and again in 1994, a group of feminists and feminist artists in Hamilton came together to organize two, non-juried exhibitions celebrating women’s creativity. The core members were Renée […]

The Locke Street Studio was briefly located on Locke Street South in Hamilton, a great neighbourhood tucked in between downtown to the east, the 403 expressway to the west, and […]