Reading Banister Fletcher (2012-13)
In the late 1990s, I visited London and met a man named Alex Barakan. He was quite old; I was still young. He took a kind interest in my graduate Continue reading
In the late 1990s, I visited London and met a man named Alex Barakan. He was quite old; I was still young. He took a kind interest in my graduate Continue reading
In the late 1990s and early 2000s I began to work more seriously with performance as a mode of engaging with publics, and spaces. Through my studies with feminist professors Continue reading
(1 March 1999, Playa del Carmen, Mexico) “Should write about last night before it’s gone. Made about 30-40 little watercolours of flowers, some fish, a few butterflies. What I ended Continue reading
As part of my ongoing research about the winged human figure, and specifically winged female figures, I created Winged for a Day in Halifax, Nova Scotia in the summer of Continue reading
While living in Halifax and teaching my first course at the Nova Scotia College of Art and Design I was captured by the harbour and shipping history so important to Continue reading
During a trip to England in spring 1998 I visited Exeter, staying on the campus of Exeter University in a rather cheerless dormitory. There was a storm in the night Continue reading
Do Not Be Afraid was both a series of works I undertook in 1997-98, and the title of an exhibition I had at the Bowmanville Art Gallery/Visual Arts Centre of Continue reading
In August 1998 I was invited to contribute as an artist to the annual Take Back the Night march in Montreal. Much of my research in the studio and elsewhere Continue reading
As part of my ongoing research about the winged human figure, I undertook a number of projects in which I made small wings and offered them to others to wear. Continue reading
In 1998 I co-organized a group exhibition of student work and series of talks at Concordia University with Karen Huska and Caroline Alexander (Stevens). The events were called, collectively, AHKSSISSTTSTATOAA, Continue reading
In my last year of living in Hamilton, Ontario, I had an exhibition at a new restaurant on King Street West (near downtown’s Hess Village), which showed local artists’ work. Continue reading
In 1992 and again in 1994, a group of feminists and feminist artists in Hamilton came together to organize two, non-juried exhibitions celebrating women’s creativity. The core members were Renée Continue reading
I graduated from McMaster University in 1993, but the previous year participated in the graduating exhibition of 1992, as by then I had finished all my studio arts courses. That Continue reading
In the summer of 1992 I had my first solo exhibition at the Broadway Cinema, which had exhibition space within a lovely, large marquee theatre on King William Street in Continue reading
During my last year of study, and following my graduation from McMaster University’s BFA in 1992, I worked in a downtown Hamilton art store, Rath Art Supplies, owned by the Continue reading
The Locke Street Studio was briefly located on Locke Street South in Hamilton, a great neighbourhood tucked in between downtown to the east, the 403 expressway to the west, and Continue reading